Copyright 1993 Daily Variety Ltd.
All Rights Reserved
Daily Variety
December 8, 1993 Wednesday
SECTION: REVIEW
LENGTH: 299 words
HEADLINE: Aimee Mann (Roxy Theatre, West
Hollywood; 420 capacity; $ 16.50 top)
BYLINE: John Carmen
BODY:
Produced by Avalon Prods. Band: Aimee Mann,
Brian Stevens, Dave Gregory, Clay Sobel, Milt Sutton, Jon Brion. Reviewed
Nov. 30, 1993.
Nobody gets four encores at an L.A. show. Never happens. Well, almost never.
Imago recording artist Aimee Mann brought the house down at her recent Roxy
showcase, promoting "Whatever," her first disc for the label.
Mann is one of those rare performers whose profile as an artist has grown
since leaving her band. The former Til Tuesday vocalist has shed the mantle
of "new-wave" stereotypical female singer (c.f. Dale Bozzio, Terri
Nunn), and has found a voice of her own.
With a new sound that is somewhere between Alex Chilton and Chrissie Hynde,
and a band that rocks, Mann has become an artist to reckon with. During
her two-hour set, Mann performed almost all of "Whatever," kicking
off with the very Pretenders-like "Fifty Years After the Fair,"
and rolled through a handful of Til Tuesday's better songs.
Mann has also developed a warmer stage persona, goofing on her own serious
sober-sidedness during her stage patter, and revamping her most famous song,
"Voices Carry," as a psychedelic rave-up complete with Kinks quotes
and fractured guitar lines that made it worthy of Moby Grape or the Small
Faces.
Kudos for the backing band are in order, too. With XTC guitarist Dave Gregory
doubling on keys, and former Cavedogs bassist Brian Stevens harmonizing,
Mann's band reached power-pop Valhalla with the kind of ease that most Big
Star freaks would kill for. Best of all were the songs when the band's producer
Jon Brion joined them onstage, adding a punky slashing guitar mastery to
the proceedings.
Brion also duetted with Mann on "The Christmas Song," complete
with corny jazz chords. An early and welcome gift to L.A.'s music fans.
LANGUAGE: ENGLISH
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