Copyright 2000 The Houston Chronicle
Publishing Company
The Houston Chronicle
May 28, 2000, Sunday 2 STAR EDITION
SECTION: ZEST; Pg. 6
LENGTH: 362 words
HEADLINE: Rejecting the single life;
Taken as a whole, 'Bachelor' shines
SOURCE: Staff
BYLINE: MICHAEL D. CLARK
BODY:
Bachelor No. 2 (Or The Last Remains of the Dodo)
Aimee Mann
SuperEgo Records
ONCE in a great while, bad things happen to good people that, in the long
run, turn out to be for the best. The pink slip Aimee Mann
got from Universal Records last year was like a lottery ticket.
Mann got the boot after Universal swallowed her record label, Geffen. The
megalabel rejected her new album, Bachelor No. 2, saying it didn't hear
a hit single. Frustrated, Mann bought the album back and, releasing it on
her own, became a hero of the indie music distribution movement.
The Mann buzz started earlier this year when she previewed four songs from
Bachelor No. 2 alongside other originals on the soundtrack to Paul Thomas
Anderson's Magnolia. Now, the full Bachelor No. 2 validates that promise.
The little album with no radio-friendly buzz cuts is intricately composed,
perfectly executed think-tank pop that will be on many year-end Top 10 lists.
With its release, Mann sticks it to the suits at Universal but good.
To a scaling carnival organ, Mann explains sweetly on Nothing Is Good Enough,
"It doesn't really help that you can never say what you're looking
for, but you'll know it when you hear it." The line is both constructive
criticism and a reassuring pat on the back to anyone ever wronged by their
boss. The rest of Bachelor No. 2 demonstrates why a beautifully prepared
album is richer then a hit single.
Red Vines has a sweet plywood-clapping beat under Mann's restrained melancholy
contralto. It reminds one of Carole King's bluest moments, just as It Takes
All Kinds has an underlying disgust much like Carly Simon's You're So Vain.
The Fall of the World's Own Optimist is the toe-tapping relationship song
No Doubt's Gwen Stefani is dying to write. And Deathly (also on the Magnolia
soundtrack) is quite simply one of the most beautiful hymns about love lost
ever written. It gives goose bumps.
Bachelor No. 2 does not have one hit single, and that's its beauty. Universal
should've clued in that it wasn't Mann who was misguided. It was itself,
radio and all other elements (media included) who keep a gem like this off
the airwaves. Grade: A
GRAPHIC: Photo: Aimee Mann's songs for "Bachelor No.
2" won't be played often on commercial radio, but the overriding charm
of the entire album makes it irresistible.
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