Copyright 2000 Toronto Star Newspapers,
Ltd.
The Toronto Star
February 25, 2000, Friday, Edition 1
SECTION: ENTERTAINMENT
LENGTH: 518 words
HEADLINE: AIMEE MANN'S SONGS AN INSPIRATION
BYLINE: Jennie Punter
BODY:
Aimee Mann and Michael Penn, two talented, stylistically
compatible singer- songwriters who also happen to be married, brought a
harmonious piece of home to the Phoenix stage last night.
The show was sold out long ago, thanks in no small part to the recent swell
of interest in Mann, whose songs not only appear in but were also a major
creative inspiration for writer-director and dedicated Mann fan P.T. Anderson's
movie, Magnolia (his liner-note essay in the soundtrack disc explains how
a line from ''Deathly" inspired the character Claudia, whom he calls
the film's ''heart and soul").
Mann's poignant ''Save Me," the film's final tune, which she performed
last night, received a Golden Globe nomination and is nominated for an Oscar.
Married since 1998, Mann and Penn (the older brother of actor Sean Penn)
have been playing casual, intimate weekly gigs at the L.A. club Largo for
the past year.
A happy confluence of events, Mann's third solo recording and indie debut
Bachelor No. 2, which includes a few tunes from Magnolia, and the recent
release of Penn's fourth solo album, MP4, inspired the pair to take the
show on the road for a brief tour.
''Michael and I have the same problem, which is that we never know what
to say on stage between songs, you know, when you're tuning your guitar,"
Mann said in an interview yesterday afternoon.
''You want to be funny but . . . good luck! So we had the idea of using
the comedians who would open for us to come out and do the banter. It's
been so much fun, we decided to keep that element on the road."
Last night New York comedian Todd Barry provided appropriate low-key humour,
laced with references to famous Canadians, while Mann and Penn tuned up.
They took turns, accompanying each other with bass guitar and background
vocals, strumming acoustic when taking the lead vocal.
Their lean band featured percussion (John Sands), electric guitar (Buddy
Judge) and some particularly beautiful playing from Patrick Warren on electric
piano and Chamberlin, an antiquated proto-sampler that added lush string,
oboe and horn parts.
It was a sit-down, hush-up-and-listen kind of show that gradually built
in volume and energy, from pin-drop tunes like Mann's ''Wise Up," the
sad, gentle centrepiece of Magnolia during which the characters sing lines
of the song, to some full-throttled rockers that had Judge and Mann dancing
around Penn as if they were trying to trip him up.
The tall, lithe singer sprinkles her conversation with self-deprecating
humour in a voice that seems the polar opposite of the delicate, ethereal
warble she uses to sing her beautifully crafted pop songs, first showcased
in her 1993 solo debut Whatever.
Mann, 39, studied bass at the Berklee School of Music in Boston, where she
hooked up with the members of her '80s pop band, 'Til Tuesday, who had a
minor hit with the title tune of their 1985 album Voices Carry.
After three albums the band dissolved and Mann embarked on a solo career
that has brought her plenty of critical raves and a small but rabidly loyal
fan base.
GRAPHIC: AIMEE MANN:
Singer's show at the Phoenix last night was sold out long ago.
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