Grooves Magazine: January, 1996 - "Q&A with Aimee Mann"

Billboard Magazine: January 6, 1996 - "Aimee Mann's Smart Pop Back On 'Stupid'"

Albany Times-Union: January 25, 1996 - "Aimee Mann to kick off tour"

Boston Globe: January 26, 1996 - "Mann's Moment: The Singer-Songwriter Siezes Her Day"

Toronto Star: January 27, 1996 - "Pop: Aimee Mann"

Daily News: January 30, 1996 - "Good Songs Are Her Best Revenge: 13 Tracks Prove Lucky Number For Aimee Mann"

Knight-Ridder/Tribune News Service: January 31, 1996 - "Singer-songwriter Mann was muted by inability to write a new record deal"

Pulse!: February, 1996 - "Life After New Wave: A former MTV queen rehabilitated into a singer-songwriter, Aimee Mann doesn't suffer fools-- she writes songs about them"

Boston Globe: February 1, 1996 - "Aimee Mann's Voice Still Carries"

Boston Herald: February 1, 1996 - "Mann changes her knock to rock in Hub"

Associated Press: February 2, 1996 - "Business Woes Almost Prompted Aimee Mann to Call It Quits"

Washington Post: February 2, 1996 - "It's a Mann's World"

Washington Post: February 2, 1996 - "Smart Pop Vocals of Mann's 'Stupid'"

Los Angeles Times: February 4, 1996 - "Aimee Mann is a Tough Customer..."

Los Angeles Times: February 4, 1996 - review of "I'm With Stupid"

San Francisco Chronicle: February 4, 1996 - "Q and A With Aimee Mann"

Christian Science Monitor: February 5, 1996 - "Aimee Mann Plays On Past 'Til Tuesday"

New York Times: February 5, 1996 - "Getting Even, in a Very Even Tone"

Chicago Tribune: February 8, 1996 - "I'm With Stupid review"

Montreal Gazette: February 10, 1996 - "Aimee Mann still won't make it: Cute, but not beautiful enough for the masses"

Rolling Stone: February 12, 1996 - "Q&A: Aimee Mann"

Chicago Tribune: February 14, 1996 - "Mann's Stinging Lyrics Invite Audience to Share Pain"

Tacoma News-Tribune: February 16, 1996 - "Aimee Mann Rebuilds Career On Tour 'With Stupid'"

Los Angeles Times: February 24, 1996 - "Mann's Stylized Concert Leaves No Room For Intimacy"

Riverside Press-Enterprise: February 24, 1996 - "Lively or sad, Mann sings with a 'different' lyricism"

Hollywood Reporter: February 26, 1996 - "Aimee Mann at the Roxy, West Hollywood"

Richmond Times-Dispatch: March 24, 1996 - "A Sweet-voiced, Smart, Sarcastic Survivor..."

Time Magazine: April 8, 1996 - "Her songs are captivating, but Aimee Mann is overlooked"

Daily Telegraph: April 18, 1996 - "The angry young women of rock"

Stereo Review: May, 1996 - "Aimee Mann: I'm With Stupid" review

The Independent: May 5, 1996 - "How We Met: Aimee Mann and Tony Banks"

Boston Globe: June 7, 1996 - "Sound Choices"

Pittsburgh Post-Gazette: June 29, 1996 - "Fame and Obscurity Both Tough, Says Mann"

Billboard Magazine: July 6, 1996 - "DGC's Mann Eyes Studio"

Knoxville News-Sentinel: December 29, 1996 - "Albums by Mann, Mellencamp, Crow make grade of great stuff"

Orange County Register: June 13, 1997 - "A new life for old music videos"

Riverside Press-Enterprise: July 27, 1997 - "Penn song is redolent of a Riverside crisis"

The Times: October 12, 1997 - "The spy we love"

The Independent: October 24, 1997 - "Pop music review: The David Arnold James Bond Project Shaken and Stirred"

Washington Post: January 8, 1998 - "You only hear twice: James Bond music revisited"

New Times Los Angeles: November 5, 1998 - "Night Club: Aimee Mann at Largo"

New York Times: December 21, 1998 - "A Major Merger Shakes Up the World of Rock"

Los Angeles Times: December 24, 1998 - "Pop music review: Benefit Concert is a Study in Light and Dark"

 

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